\u0130talyan heykelt\u0131ra\u015f Pietro Canonica\u2026 Sanata en uzak olanlar\u0131n bile eserlerini en iyi bildi\u011fi sanat\u00e7\u0131lardan biri asl\u0131nda. Ankara, \u0130stanbul ve \u0130zmir\u2019de \u015fehirlerin simgesi haline gelmi\u015f d\u00f6rt \u00f6nemli Atat\u00fcrk heykelinde imzas\u0131 bulunan sanat\u00e7\u0131\u2026 \u00dcnl\u00fc heykelt\u0131ra\u015ftan Atat\u00fcrk de \u00f6vg\u00fcyle bahsediyordu: \u201cAynaya bakt\u0131\u011f\u0131mda b\u00fcst\u00fcm\u00fc g\u00f6r\u00fcyorum.\u201d<\/p>\n
Taksim Meydan\u0131\u2019ndaki Cumhuriyet An\u0131t\u0131n\u0131 bilmeyen var m\u0131? Bug\u00fcn, \u015eefik Birkiye\u2019nin mimar\u0131 oldu\u011fu Taksim Camii\u2019nin \u00f6n\u00fcnde eski heybetini yitirmi\u015f olsa dahi ben dahil her \u0130stanbullunun \u00f6n\u00fcnde resim \u00e7ektirmi\u015f oldu\u011fu an\u0131t, g\u00fcn\u00fcm\u00fcze dek siyasilerin, \u00e7e\u015fitli kurumlar\u0131n, yabanc\u0131 misyonlar\u0131n \u00e7elenk b\u0131rakt\u0131\u011f\u0131 sembol bir bulu\u015fma yeri. Ayr\u0131ca turistlerin de g\u00f6zdesi. Peki \u0130stanbul\u2019un en \u00fcnl\u00fc an\u0131tlar\u0131ndan biri olan Cumhuriyet An\u0131t\u0131 kimin eseri diye sorsam?<\/p>\n
Kalkacak parmaklar\u0131 beklemeden hemen cevap vereyim: Pietro Canonica. Ge\u00e7enlerde \u0130stanbul\u2019daki \u0130talyan K\u00fclt\u00fcr Merkezi\u2019nin 100. y\u0131l etkinlikleri kapsam\u0131nda d\u00fczenledi\u011fi \u2018Pietro Canonica ve Atat\u00fcrk\u2019 \u00e7al\u0131\u015ftay\u0131nda \u0130talyan heykeltra\u015f\u0131n T\u00fcrkiye\u2019deki \u00e7al\u0131\u015fmalar\u0131 ve Atat\u00fcrk ile ili\u015fkisi etrafl\u0131ca ele al\u0131nd\u0131.<\/p>\n
\u0130talya B\u00fcy\u00fckel\u00e7ili\u011fi ve Roma Belediyesi\u2019nin i\u015f birli\u011fiyle d\u00fczenlenen, her iki \u00fclkeden akademisyen a\u011f\u0131rl\u0131kl\u0131 konu\u015fmac\u0131lar\u0131n oldu\u011fu \u00e7al\u0131\u015ftay, \u00f6nce \u00fcn\u00fc \u0130talya\u2019ya d\u0131\u015f\u0131na yay\u0131lm\u0131\u015f Pietro Canonica\u2019n\u0131n ba\u015far\u0131l\u0131 meslek hayat\u0131n\u0131 mercek alt\u0131na ald\u0131.<\/p>\n
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LONDRA\u2019DAN MOSKOVA\u2019YA CANONICA ESERLER\u0130<\/h3>\n
Taksim Meydan\u0131\u2019ndaki Cumhuriyet An\u0131t\u0131\u2019n\u0131n yan\u0131 s\u0131ra Ankara Etnografya M\u00fczesi \u00f6n\u00fcndeki Atat\u00fcrk heykeli, Zafer Meydan\u0131\u2019ndaki mare\u015fal \u00fcniformal\u0131 Atat\u00fcrk Heykeli ve \u0130zmir\u2019deki Cumhuriyet Meydan\u0131\u2019ndaki atl\u0131 Atat\u00fcrk heykelinde imzas\u0131 olan Pietro Canonica 1869 Torino, Moncalieri do\u011fumlu. Heykeltra\u015f, ressam, opera bestecisi, akademisyen\u2026<\/p>\n
11 ya\u015f\u0131nda Torino Albertina G\u00fczel sanatlar Akademisi\u2019nde okumaya ba\u015fl\u0131yor. Ba\u015fta \u2018R\u00f6nesans, Romantik\u2019 ak\u0131mlar\u0131n etkisinde, daha sonra rotay\u0131 \u2018Ger\u00e7ek\u00e7ilik\u2019 ak\u0131m\u0131na \u00e7eviriyor.<\/p>\n
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Taksim Cumhuriyet An\u0131t\u0131 ve \u00fclkemizdeki di\u011fer heykelleri ise T\u00fcrk Neo Klasi\u011fi olarak tarif edi- H eykelt\u0131ra\u015f Canonica\u2019n\u0131n g\u00f6z\u00fcnden Atat\u00fcrk \u0130talyan heykelt\u0131ra\u015f Pietro Canonica\u2026 Sanata en uzak olanlar\u0131n bile eserlerini en iyi bildi\u011fi sanat\u00e7\u0131lardan biri asl\u0131nda. Ankara, \u0130stanbul ve \u0130zmir\u2019de \u015fehirlerin simgesi haline gelmi\u015f d\u00f6rt \u00f6nemli Atat\u00fcrk heykelinde imzas\u0131 bulunan sanat\u00e7\u0131\u2026 \u00dcnl\u00fc heykelt\u0131ra\u015ftan Atat\u00fcrk de \u00f6vg\u00fcyle bahsediyordu: \u201cAynaya bakt\u0131\u011f\u0131mda b\u00fcst\u00fcm\u00fc g\u00f6r\u00fcyorum.\u201d liyor. Canonica, 1922\u2019de Roma\u2019ya ta\u015f\u0131nmas\u0131n\u0131n ard\u0131ndan \u00fclkesinde ve Avrupa\u2019n\u0131n \u00e7e\u015fitli \u015fehirlerinde sergilere kat\u0131ld\u0131ktan sonra, Avrupa aristokrasisi taraf\u0131ndan en ra\u011fbet g\u00f6ren sanat\u00e7\u0131lardan biri oluyor. \u00d6yle ki Buckingham Saray\u0131\u2019ndan \u00c7arl\u0131k Rusya\u2019s\u0131na say\u0131s\u0131z \u00fclkeye davet ediliyor. Halen kay\u0131p olan \u00c7ar II Nikola ve ailesinin b\u00fcstlerini yap\u0131yor.<\/p>\n
Uzun y\u0131llar Roma\u2019da G\u00fczel Sanatlar Akademisi\u2019nin ba\u015f\u0131nda olan Canonica, 1923 y\u0131l\u0131nda ad\u0131 yeni duyulmaya ba\u015flayan Mussolini\u2019nin de b\u00fcst\u00fcn\u00fc yap\u0131yor. An\u0131lar\u0131ndan anl\u0131yoruz ki, Mussolini ile kariyeri boyunca iyi ili\u015fkiler i\u00e7erisinde olmu\u015f. Ba\u015far\u0131lar\u0131ndan \u00f6t\u00fcr\u00fc 1950 y\u0131l\u0131nda \u00f6m\u00fcr boyu senat\u00f6r se\u00e7ilen Canonica, 1959 y\u0131l\u0131nda Roma\u2019da \u00f6l\u00fcyor. Villa Borghese\u2019deki evi Canonica M\u00fczesi\u2019ne d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f durumda.<\/p>\n
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YARI\u015eMA \u0130\u00c7\u0130N T\u00dcRK\u0130YE\u2019YE DAVET ED\u0130L\u0130YOR<\/h3>\n
Canonica, yeni kurulan T\u00fcrkiye Cumhuriyeti\u2019nin 1926 y\u0131l\u0131nda Mustafa Kemal\u2019in heykellerini yapmak i\u00e7in a\u00e7t\u0131\u011f\u0131 bir yar\u0131\u015fmayla \u00fclkemize geliyor. Yine an\u0131lar\u0131na g\u00f6re, \u0130talya D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131\u2019n\u0131n iste\u011fi ve G\u00fczel Sanatlar M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019n\u00fcn \u0131srar\u0131 \u00fczerine yar\u0131\u015fmaya kat\u0131l\u0131yor. \u00d6nce \u0130stanbul\u2019a gelen Canonica sonra Ankara\u2019ya ge\u00e7erek Atat\u00fcrk ile tan\u0131\u015f\u0131yor ve taslak b\u00fcst\u00fcn\u00fc d\u00f6rt g\u00fcnde tamaml\u0131yor.<\/p>\n
At\u00f6lyesinin oldu\u011fu Torino\u2019ya d\u00f6nd\u00fckten sonra Atat\u00fcrk\u2019\u00fcn Ankara Etnografya M\u00fczesi\u2019nin \u00f6n\u00fcndeki atl\u0131, Zafer Meydan\u0131\u2019ndaki ayakta heykelini tamaml\u0131yor. Bu eserler T\u00fcrkiye\u2019ye gemiyle ula\u015ft\u0131r\u0131l\u0131yor. Canonica\u2019n\u0131n T\u00fcrkiye\u2019ye ikinci geli\u015fi Taksim Meydan\u0131\u2019ndaki Cumhuriyet An\u0131t\u0131 nedeniyle\u2026 1928 y\u0131l\u0131nda a\u00e7\u0131lan an\u0131tla ilgili \u00e7al\u0131\u015fmalar\u0131ndan sonra \u0130smet \u0130n\u00f6n\u00fc\u2019n\u00fcn bir b\u00fcst\u00fcn\u00fc yap\u0131yor ve Kayseri, Tokat, Sivas, Samsun\u2019u kapsayan bir Anadolu gezisine \u00e7\u0131k\u0131yor. En son dura\u011f\u0131 ise \u0130zmir\u2026 Bu arada Canonica T\u00fcrkiye\u2019de eser veren \u0130talyan sanat\u00e7\u0131lar\u0131n sonuncusu.<\/p>\n
\u201cAYNAYA BAKTI\u011eIM ZAMAN B\u00dcST\u00dcM\u00dc G\u00d6R\u00dcYORUM\u201d<\/h3>\n
\u015eimdi geliyorum \u00e7al\u0131\u015ftay\u0131n en can al\u0131c\u0131 noktas\u0131na Cononica\u2019n\u0131n Atat\u00fcrk ile ilgili an\u0131lar\u0131na.<\/p>\n
\u00c7al\u0131\u015ftay\u0131n ilk b\u00f6l\u00fcm\u00fcnde bolca dile getirilen an\u0131larla ilgili bir kitap var. Kitab\u0131 uzun y\u0131llar T\u00fcrkiye\u2019de ya\u015fad\u0131\u011f\u0131 i\u00e7in ak\u0131c\u0131 bir T\u00fcrk\u00e7eye sahip, Levanten K\u00fclt\u00fcr Miras\u0131 Vakf\u0131 \u00fcyesi Luis Miguel Selvelli\u2019nin elinde g\u00f6r\u00fcr g\u00f6rmez alelacele sayfalar\u0131n\u0131n resmini \u00e7ekiyorum. Atat\u00fcrk\u2019\u00fcn ki\u015fili\u011fiyle ilgili \u00f6nemli ipu\u00e7lar\u0131n\u0131n oldu\u011fu kitab\u0131n tam ad\u0131 Atat\u00fcrk ve Pietro Canonica… Prof. Dr. Semavi Eyice taraf\u0131ndan derlenmi\u015f, \u015fimdi olup olmad\u0131\u011f\u0131n\u0131 bilmedi\u011fim Eren Yay\u0131nc\u0131l\u0131k taraf\u0131ndan bas\u0131lm\u0131\u015f.<\/p>\n
Merakl\u0131lar\u0131 belki Nadir Kitap\u2019tan bulabilirler. Canonica\u2019n\u0131n Atat\u00fcrk ile ilgili an\u0131lar\u0131ndan baz\u0131 al\u0131nt\u0131lar \u015f\u00f6yle:<\/p>\n
\u201cAnkara\u2019da Kemal Pa\u015fa, tam anlam\u0131yla bir burjuva evi gibi zevkle ama l\u00fcksten uzak \u015fekilde d\u00f6\u015fenmi\u015f m\u00fctevazi ikametgah\u0131nda beni sade bir \u015fekilde kabul etti. Kahve ikram ettikten sonra \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. Bir saat sonra b\u00fcst\u00fcn kendisine benzeyen ana hatlar\u0131 ortaya \u00e7\u0131km\u0131\u015ft\u0131. D\u00f6rd\u00fcnc\u00fc g\u00fcnde b\u00fcst\u00fc bitirmi\u015ftim. Kemal o b\u00fcstten o derece memnun kalm\u0131\u015ft\u0131 ki arkada\u015flar\u0131na Aynaya bakt\u0131\u011f\u0131m zaman b\u00fcst\u00fcm\u00fc g\u00f6r\u00fcyorum. Bitti\u011fine \u00fcz\u00fcld\u00fcm. Canonica\u2019y\u0131 g\u00f6rmek beni mutlu ediyordu\u201d dedi.<\/p>\n
Dikkatinizi \u00e7ekerim. Heykeltra\u015f an\u0131lar\u0131nda zaman zaman Mustafa Kemal\u2019i sadece Kemal diye an\u0131yor.<\/p>\n
ATAT\u00dcRK\u2019\u00dc \u00dcN\u0130FORMA G\u0130YMEYE \u0130KNA EDEMEM\u0130\u015e<\/h3>\n
Canonica, Atat\u00fcrk ile \u00e7al\u0131\u015f\u0131rken her \u015feyden konu\u015ftuklar\u0131n\u0131 belirterek \u015f\u00f6yle devam ediyor: \u201cSade, bizim Lombardiya ve Piemonte b\u00f6lgelerinin eski asil askerlerine benzeyen davran\u0131\u015flar\u0131yla \u00e7ok se\u00e7kin bir insand\u0131. Az konu\u015fuyor, derin d\u00fc\u015f\u00fcnen ve dikkatli bir g\u00f6zlemci. Fizyonomisi o an i\u00e7inde bulundu\u011fu hisselere g\u00f6re bazen emir verici bir g\u00f6r\u00fcn\u00fcme, bazen de insan\u0131 duyguland\u0131ran adeta \u00e7ocuksu tatl\u0131 bir havaya b\u00fcr\u00fcn\u00fcyor.\u201d<\/p>\n
Bu arada aralar\u0131nda Frans\u0131zca konu\u015ftuklar\u0131n\u0131 belirterek heykelt\u0131ra\u015f\u0131n izlenimlerine devam:<\/p>\n
\u201cKemal\u2019i yak\u0131ndan inceleme f\u0131rsat\u0131 buldum. \u00c7ok hassas bir yarat\u0131l\u0131\u015f\u0131 oldu\u011funu anlad\u0131m. \u00c7\u00fcnk\u00fc yan\u0131mda D\u0131\u015fi\u015fleri Bakan\u0131 ile konu\u015furken y\u00fcz\u00fcn\u00fcn \u00e7ok \u00e7abuk de\u011fi\u015fen ifadelerinden, zaman zaman sinirlenip zaman zaman memnun oldu\u011funu belirten ruh durumu a\u00e7\u0131k\u00e7a belli oluyordu.\u201d<\/p>\n
Bir g\u00fcn Kemal Pa\u015fa\u2019n\u0131n, kendi annesine benzetti\u011fi Z\u00fcbeyde Han\u0131m\u2019\u0131n foto\u011fraf\u0131na bakt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcnce i\u00e7 \u00e7ekerek \u201cEn b\u00fcy\u00fck arkada\u015f\u0131md\u0131. Onu kaybedince her \u015feyi kaybettim\u201d dedi\u011fini aktar\u0131yor. Kemal Pa\u015fa\u2019n\u0131n evlili\u011fiyle ilgili de i\u00e7ini d\u00f6kt\u00fc\u011f\u00fcn\u00fc belirten Canonica\u2019n\u0131n an\u0131lar\u0131ndaki anekdotlar aras\u0131nda at \u00fczerinde heykelini yapmak i\u00e7in bir kere mare\u015fal \u00fcniformas\u0131 giymesi i\u00e7in Atat\u00fcrk\u2019\u00fc ikna etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 var.<\/p>\n
Bir sabah onun \u00fcniformas\u0131n\u0131 giymi\u015f, ayn\u0131 yap\u0131daki yak\u0131\u015f\u0131kl\u0131 bir subay\u0131 at\u0131n \u00f6n\u00fcnde buldum. Subay\u0131n yan\u0131ndaki Pa\u015fa g\u00fclerek \u201cKafaya bakmay\u0131n gerisi ayn\u0131 dedi\u201d sat\u0131rlar\u0131na bak\u0131l\u0131rsa Atat\u00fcrk \u00fcniforma giymeye asla ikna olmam\u0131\u015f.<\/p>\n
BORUSAN KOCABIYIK VAKFI\u2019NIN 100. YIL SERG\u0130S\u0130:<\/strong><\/p>\n Kurtulu\u015f Sava\u015f\u0131\u2019ndan hemen bir y\u0131l sonra cumhuriyetin ilan edilmesiyle sanat, edebiyat, bilim, e\u011fitimde ba\u015flayan at\u0131l\u0131m\u0131n \u201c\u00e7ak\u0131l ta\u015flar\u0131\u201d bu sergide\u2026<\/em><\/p>\n CUMHUR\u0130YE T\u0130N 100. YILI<\/strong> nedeniyle d\u00fczenlenen etkinliklerde, sergilerde cumhuriyetimizle ilgili yeni \u00f6\u011frendi\u011fimiz, ke\u015ffetti\u011fimiz o kadar \u015fey var ki. Canonica benim i\u00e7in b\u00f6yle ke\u015fiflerden biri oldu.<\/p>\n Bir di\u011feri de gen\u00e7 cumhuriyetin kurulu\u015fundan hemen sonra ba\u015flayan, \u00e7ok boyutlu toplumsal d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fcn bir zaman t\u00fcneline girerek ke\u015ffi.<\/p>\n S\u00f6z\u00fcn\u00fc etti\u011fim Borusan Kocab\u0131y\u0131k Vakf\u0131\u2019n\u0131n Galataport O2 Blok\u2019ta yeni a\u00e7\u0131lan, 1922-1942 y\u0131llar\u0131na odaklanan \u2018Cumhuriyetin Y\u00fcz\u00fc Sergisi.\u2019 Sava\u015ftan yeni \u00e7\u0131km\u0131\u015f \u00fclkenin, gen\u00e7 cumhuriyetinin plastik sanatlar, m\u00fczik, edebiyat, grafik, mimari tasar\u0131m, sahne sanatlar\u0131, m\u00fczecilik, arkeoloji, sinema gibi \u00e7e\u015fitli alanlarda yapt\u0131\u011f\u0131 at\u0131l\u0131mlar\u0131 ele al\u0131yor.<\/p>\n Sergiyi k\u00fcrat\u00f6r \u0130zzeddin \u00c7al\u0131\u015flar ile birlikte gezmeden \u00f6nce bas\u0131n toplant\u0131s\u0131nda Borusan Grup CEO\u2019su Erkan Kafadar, Borusan Kocab\u0131y\u0131k Vakf\u0131 Genel Sekreteri Canan Ercan \u00c7elik\u2019in yan\u0131 s\u0131ra kulak verdi\u011fimiz proje dan\u0131\u015fman\u0131 Prof. Dr. Haluk Oral\u2019\u0131n dikkat \u00e7ekti\u011fi nokta \u00f6nemli.<\/p>\n \u201c1912-1922 y\u0131llar\u0131 aras\u0131nda s\u00fcrekli sava\u015fta olan bir \u00fclke s\u00f6z konusu. 1923 y\u0131l\u0131nda cumhuriyet kuruldu ve hemen bilim, e\u011fitim, sanat alanlar\u0131nda inan\u0131lmaz bir at\u0131l\u0131m ba\u015flad\u0131. Bir y\u0131l \u00f6ncesinde sava\u015f olmam\u0131\u015f olsa bile bu inan\u0131lmaz bir at\u0131l\u0131m.\u201d<\/p>\n Prof. Dr. Haluk Oral tarihe g\u00f6n\u00fcl vermi\u015f, zengin bir ar\u015five sahip bir matematik profes\u00f6r\u00fc\u2026 Kendi ar\u015fivinden belgelere de yer veren sergi i\u00e7in \u201cBurada bu at\u0131l\u0131m\u0131n ufak tefek izlerini g\u00f6receksiniz. Biz o y\u0131llara gitmeniz i\u00e7in ancak \u00e7ak\u0131l ta\u015flar\u0131n\u0131 koyduk. \u00c7ak\u0131l ta\u015flar\u0131n\u0131n etraf\u0131nda orman var, devrimlere kar\u015f\u0131 \u00e7\u0131kanlar da var, onlar\u0131 koymad\u0131k. \u00c7ak\u0131l ta\u015flar\u0131 buz da\u011f\u0131n\u0131n tepesidir\u201d diyor.<\/p>\n Esprili bir \u015fekilde \u201c\u00e7ak\u0131l ta\u015flar\u0131n\u0131 in\u015faattan toplamad\u0131k, hepsi birer m\u00fccevher\u201d diyen \u00c7al\u0131\u015flar, bir di\u011fer \u00f6nemli noktaya parmak bas\u0131yor: \u201cSanat tarih\u00e7ilerinin erken cumhuriyet d\u00f6neminde g\u00f6zden ka\u00e7\u0131rd\u0131klar\u0131 bir alan var: Tasar\u0131m yo\u011funluklu bir i\u015f alan\u0131 olan sergicilik. \u0130zmir Enternasyonal fuarlar\u0131, yerli mallar\u0131 sergileri, sanayi sergilerinin i\u015flevleri \u00e7e\u015fitli. Hem ileti\u015fim arac\u0131, hem siyasi propaganda, hem uluslararas\u0131 ili\u015fkiler arac\u0131 olarak kullan\u0131ld\u0131lar. Biz demode oldu\u011fu i\u00e7in b\u0131rak\u0131lan sergi anlay\u0131\u015f\u0131n\u0131 burada yeniden tasarlad\u0131k. Bu sergi asl\u0131nda 1920\u2019lerde ya\u015fam\u0131\u015f ustalar\u0131m\u0131z\u0131n tasar\u0131mlar\u0131n\u0131n bir taklididir.\u201d<\/p>\n Sergi alan\u0131n\u0131, Pera M\u00fczesi, \u0130stanbul Modern, Ko\u00e7 Vakf\u0131, Salt, \u0130KSV, \u0130stanbul Arkeoloji M\u00fczeleri\u2019nin yan\u0131 s\u0131ra Roma\u2019da Maxxi, New York\u2019ta Moma PS1, Londra\u2019da V&A m\u00fczeleriyle \u00e7al\u0131\u015fan Pattu tasarlam\u0131\u015f.<\/p>\n Ger\u00e7ekten her \u015feyiyle d\u00f6nemi yans\u0131tan \u00e7ok iyi bir tasar\u0131m. Sergi; afi\u015flerden giysilere, foto\u011fraflardan tablolara, kurumlar ve \u00f6zel koleksiyonlardan toplanm\u0131\u015f 500\u2019\u00fc a\u015fk\u0131n orijinal ve dijital eseri izleyiciyle bulu\u015fturuyor.<\/p>\n Heykelt\u0131ra\u015f Canonica\u2019n\u0131n yapm\u0131\u015f oldu\u011fu \u0130n\u00f6n\u00fc b\u00fcst\u00fc de var sergide. Borusan Kocab\u0131y\u0131k Y\u00f6netim Kurulu Ba\u015fkan\u0131 Zeynep Hamedi\u2019nin dedi\u011fi gibi, geli\u015fmi\u015f teknolojilerin de kullan\u0131ld\u0131\u011f\u0131 sergi gelecek nesillere ilham olacak, devrimlerin \u00f6z\u00fcn\u00fc anlamaya yard\u0131m edecek bir proje. 3 Mart 2024 tarihine kadar s\u00fcrecek sergiyi \u00e7oluk, \u00e7ocuk ailecek gezin.<\/p>\n G\u00fcncel sanata \u00e7ok katmanl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131<\/strong><\/span><\/p>\n GRAND HYATT \u0130STANBUL , \u2018Grand Art\u2019 kapsam\u0131nda Laura Margarita ve Cengiz Yata\u011fan\u2019\u0131n eserlerinden olu\u015fan sergiye ev sahipli\u011fi yap\u0131yor. Sanat\u00e7\u0131 Cengiz Yata\u011fan, eserlerinde \u00e7e\u015fitlili\u011fi ve kar\u015f\u0131tl\u0131\u011f\u0131 tek bir tuvalde yans\u0131tan \u00e7ok katmanl\u0131l\u0131\u011f\u0131 kullan\u0131yor. Bu katmanlar, geleneksel ya\u011fl\u0131 boya tekniklerini a\u015farak bir araya geliyor. Sergi, 17 Kas\u0131m – 17 Ocak 2024 tarihleri aras\u0131nda Grand Hyatt \u0130stanbul\u2019da.<\/p>\n Ya\u011fl\u0131 boyan\u0131n g\u00fcc\u00fc eserlere yans\u0131yor<\/strong><\/span><\/p>\n TRUMP ART GALLERY<\/strong>, sanat\u00e7\u0131 Cem \u00d6zerol\u2019un \u2018La Harmonia Del Contrastes (Z\u0131tl\u0131klar\u0131n Uyumu)\u2019 adl\u0131 sergisine Kas\u0131m ay\u0131 boyunca ev sahipli\u011fi yapacak. Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Kenan Bahad\u0131r Derre \u00fcstleniyor. Cem \u00d6zerol, resmin genel kurallar\u0131ndan biri olan resim i\u00e7i asimetrinin her zaman ilgisini \u00e7ekti\u011fini s\u00f6yl\u00fcyor. \u00d6zerol, \u201cSanat eseri diyebilece\u011fimiz her resmin i\u00e7ine girip detaylar\u0131na, fig\u00fcratif bir resimse fig\u00fcrlerin duru\u015f \u015fekillerine bakt\u0131\u011f\u0131n\u0131zda, o eserin i\u00e7indeki asimetriyi g\u00f6rmek ve bu asimetrilerin toplam\u0131nda g\u00f6ze ho\u015f gelen bir eser ve simetri oldu\u011funu anlamak beni daima heyecanland\u0131rm\u0131\u015ft\u0131r\u201d diyor.<\/p>\n Berlin\u2019den \u0130stanbul\u2019a uzanan sanat<\/span><\/strong><\/p>\n 1980\u2019LER\u0130N ORTAL ARINDAN \u0130T\u0130BAREN<\/strong> Do\u011fu Berlin\u2019de punk ve new wave ak\u0131mlar\u0131n\u0131n y\u00fckseli\u015fine \u00f6nc\u00fcl\u00fck ederek sanat \u00e7evrelerinin takip etti\u011fi \u00f6nemli isimlerden biri haline gelen Alman foto\u011fraf\u00e7\u0131 Sven Marquardt, Berlin\u2019in k\u00fclt\u00fcrel atmosferinden ilham alan sergisi \u2018NACHTBLENDE\u2019 ile T\u00fcrkiye\u2019de ilk kez sanatseverlerle bulu\u015fuyor. Sanat\u00e7\u0131n\u0131n arkada\u015f, meslekta\u015f ve tan\u0131d\u0131k \u00e7evresinden \u00f6zenle se\u00e7ilmi\u015f ki\u015filerin foto\u011fraflar\u0131ndan olu\u015fan sergi 26 Kas\u0131m\u2019a kadar Yap\u0131 Kredi Bomontiada\u2019da sizlerle.<\/p>\n<\/p><\/div>\nCumhuriyetin Y\u00fcz\u00fc<\/span><\/h3>\n
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<\/em><\/p>\n![\"\"](\"https:\/\/i.ekonomim.com\/storage\/files\/images\/2023\/11\/09\/yillara-xwmq.jpg\")
<\/p>\nO YILLARA G\u0130D\u0130N D\u0130YE \u00c7AKILTA\u015eLARI KOYDUK<\/h3>\n
DEVR\u0130MLER\u0130N \u00d6Z\u00dcN\u00dc ANLAMAK<\/h3>\n
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